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With a change of director and a change of studio, the latest instalment in the Chronicles of Narnia series has finally arrived in cinemas after a break of two and a half years. As with the book, The Voyage of the Dawn Treader follows the adventures of the younger two Pevensie children, Lucy and Edmund, and their brattish cousin Eustace, as they arrive back in Narnia via a painting of a Narnian ship. There they rejoin King Caspian and the valiant talking mouse Reepicheep who are on a quest to find seven lost Narnian Lords.
Having enjoyed success with The Passion two and a half years ago, the BBC have decided to follow it up by filming a new version of the birth of Jesus. The Nativity is due to air over four nights in the run up to this Christmas with each episode lasting half an hour.
There have been many films about Jesus over the years from some of the very earliest silent films, to the singing and dancing Christs of Godspell and Jesus Christ, Superstar. Carrying on in this grand tradition, it appears that next year will see the release of $30 million Bollywood Jesus film.
British director Christopher Nolan seems to have combined the best of his talents for making big blockbusters (Batman Begins, The Dark Knight) and quirky, thought provoking films (Memento) in making his latest film Inception. It’s the cleverest summer movie for quite some time: a fast paced thriller that leaves its audience trying to work everything out long after the credits have rolled.
Putting Shrek and Jesus in the same article gets some people nervous. After all, Jesus' story is hardly fairy tale and he certainly wasn't an ogre. But there are one or two moments in this latest instalment of the Shrek series that reminded me of the life of Jesus. The latest film actually starts somewhere in the middle of the original film and in many ways Shrek Forever After is an attempt to put aside two forgettable sequels and get back to the heart of what made the first film work so well.
Ridley Scott’s Robin Hood hit cinema screens this week, hitting the middle of the target at the box office as well as opening the Cannes film festival (where it’s portrayal of the French as scheming, bad-fighting cowards must have gone down really well).
Ever wondered what would happen to the Bible in a post-apocalyptic age? Denzel Washington clearly has, not only starring in The Book of Eli, but putting up much of the funding as well.
The story is set thirty plus in the future, but we’re never told when or what, exactly happened. There was a war, a flash, and now all that remains is a tiny fraction of the population and a landscape strewn with human and mechanical wreckage. Travelling through what remains of the world is Eli (Washington) who, unbeknownst to anyone, is carrying the last remaining copy of the Bible.
For many of us, the first time we really understood something about Jesus was perhaps when we starred in a nativity play. It’s a defining moment in many chldren’s lives, yet one rarely explored in the cinema.
Nativity! is the latest film by director Debbie Isitt starring Martin Freeman. Freeman plays Mr. Maddens a primary school teacher who was left with Scrooge-like attitude to Christmas after he was festively dumped by his girlfriend (Ashley Jensen) five years ago. Having previously studied drama, every year he is lumbered with producing the school’s nativity play and his enthusiasm for the project is further hampered by the shining brilliance of a rival school’s winter productions.
Film Review: The Invention of Lying
Jesus once said “Let your ‘yes’ be yes and your ‘no’ be no” (Matt 5:17). It’s one of those sayings that, taken absolutely literally, no-one really follows to the letter, even if it does motivate many to be more truthful.
Nonetheless, Ricky Gervais’s new film, The Invention of Lying, examines what it would be like if we lived in a world where people spoke the truth, or at least their perception of it, at all times. Colleagues constantly highlight your failings, strangers express their disgust at your physical appearance and residential care for the elderly is called “A Sad Place for Hopeless Old People”.
Since the relaunch of the rejesus blog at the start of the year I've been reviewing new movies that relate to Jesus in some way. Whilst it's not always easy to find films that fit into that category, Harry Potter should have been straight forward. After all it's humble hero is an exceptional miracle worker, who is born to be the chosen one. The problem... was me.
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Sound & visionThe Leveson inquiry into how the press behave (following various scandals) has produced some amazing moments. None more so than… more 